Products related to Risk:
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No Dice : Gambling and Risk in Modern Culture
When you think of ‘gambling’ you might think of Vegas casinos, betting shops and football flutters but the risk of gambling is embedded in numerous corners of popular culture that many of us consume. By considering the concept of ‘soft gambling’, No Dice asks how we could possibly link the Pokémon Trading Card Game with gambling.Can we compare Netflix to a night at the theatre? When does fictional gambling within video games go too far with their infamous loot boxes?Does such risk affect everyone or are socio-economic divides driving further inequality?No Dice explores the messy world of gambling and risk that we encounter regularly, from childhood through adulthood, considering if it is worth the risk and if we even know what risks we might be taking.
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Risk
Discover the classic mystery from Dick Francis, one of the greatest thriller writers of all time'Once you start reading you won't be able to stop' 5***** Reader Review'Couldn't put it down.I was awake half the night even on the second read!' 5***** Reader Review______As an amateur jockey, Roland Britten was lucky, and as an accountant he was rigorous.He knew he was on the hate list of several fraudsters, but never thought pen-pushers got kidnapped. And not from a racecourse right after beating the odds to win the Cheltenham Gold Cup. Held prisoner, Britten has no idea who his kidnappers are nor why they have abducted him.Only when resourceful school headmistress Hilary Pinlock gives him the opportunity to escape is he able to seriously think about what has happened and turn his logical mind to track down his abductors. But his kidnappers haven't finished with him yet - and they'll risk anything to get hold of him once again . . . Packed with intrigue and hair-raising suspense, Risk is just one of the many blockbuster thrillers from legendary crime writer Dick Francis. Praise for Dick Francis:'As a jockey, Dick Francis was unbeatable when he got into his stride.The same is true of his crime writing' Daily Mirror'The narrative is brisk and gripping and the background researched with care . . . the entire story is a pleasure to relish' Scotsman'Dick Francis's fiction has a secret ingredient - his inimitable knack of grabbing the reader's attention on page one and holding it tight until the very end' Sunday Telegraph'A regular winner . . . as smooth, swift and lean as ever' Sunday Express'The master of suspense and intrigue' Country Life'Francis writing at his best' Evening Standard'Still the master' Racing Post
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Risk
We are living in a world in which the existence of risk is constantly debated, misinformation and disinformation are rife and spread quickly and easily through online media, and where governments and institutions continue to avoid taking decisive action even when there is general agreement that a serious threat exists.Understanding how people, social groups and social organizations understand, respond to and act on threats, hazards and dangers is more important than ever.In Risk, Deborah Lupton asserts the ongoing importance of the analysis of risk in our age of permacrisis and mounting scepticism about experts and science, calling for a ‘re-turn’ to risk theory in the social sciences. The book outlines the three major approaches to risk in social and cultural theory, devoting a chapter to each.The first approach draws upon the work of Mary Douglas to articulate the cultural/symbolic perspective on risk.The second approach is that of the risk society perspective, based on the writings of Ulrich Beck and Anthony Giddens.The third approach covered is that of the governmentality perspective, which builds on Michel Foucault’s work.Three other chapters examine in detail the relationship between concepts of risk and concepts of selfhood and the body, the notion of Otherness and how this influences the ways in which people respond to and think about risk, and the pleasures of voluntary risk-taking, including discussion of edgework.An entirely new chapter has been added to this edition, focusing on the risks posed by misinformation and denial in the context of climate change and the COVID-19 pandemic.This chapter discusses the politics of post-truth cultures and the powerful networks of actor and organizations that together work to challenge science and manufacture dissent against attempts to tackle these crises. This new edition of Risk is an essential introduction to the topic of risk for students and academics in the social sciences and humanities.
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Risk
From the co-publisher of acclaimed poetry press Omnidawn, Risk engages directly with limitations, both those that structure the literal form of the poems and literary form and those that are both unavoidable and self-inflicted.In Risk, award-winning poet Rusty Morrison uses a constraining form of seven-syllable segments with breaks between to explore questions of limitation.In these poems, she is not just writing about constraints, but living inside and seeing how to manage them.In this way, the speaker of these poems actively experiences limitations as event, not aftermath.Drawing on the idea of philosopher and critic Hélène Cixous who writes that "the border makes up the homeland, it prohibits and gives passage in the same stroke," in Risk Morrison aims where the border and framings she uses offer understanding and where boundaries should be pushed against and passed beyond, as frightening as that might be.
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Which risk do you prefer: normal risk or deluxe risk?
I prefer normal risk because it allows for a balance between potential reward and potential loss. Deluxe risk may offer higher potential rewards, but it also comes with a higher likelihood of significant loss. Normal risk allows for a more conservative approach to managing potential risks and rewards, which aligns with my preference for stability and security.
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How can one forget culture and heritage?
One can forget culture and heritage by not actively engaging with it, by being disconnected from one's roots and community, and by prioritizing other aspects of life over preserving and celebrating one's cultural identity. This can happen through assimilation into a different culture, lack of exposure to one's own cultural traditions and practices, and a lack of interest in learning about one's heritage. Additionally, societal pressures and discrimination can also contribute to the erasure of one's culture and heritage.
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Is there a martial art without the risk of head injuries?
Yes, there are martial arts that have a lower risk of head injuries compared to others. For example, Brazilian Jiu-Jitsu and Judo focus more on grappling and submission techniques, which reduces the likelihood of head trauma compared to striking-based martial arts like boxing or Muay Thai. Additionally, some traditional martial arts like Tai Chi and Aikido emphasize controlled movements and techniques that minimize the risk of head injuries. However, it's important to note that any physical activity carries some level of risk, and proper training and safety precautions should always be followed to minimize the risk of injury.
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Should I take a second risk and risk a second rejection?
Taking a second risk and risking a second rejection can be a difficult decision. It's important to consider the potential benefits of taking the risk, as well as the potential consequences of facing rejection again. If the potential rewards outweigh the potential negative outcomes, and if you believe that the risk is worth taking, then it may be worth considering taking the second risk. However, it's also important to take into account your emotional well-being and to consider whether you are prepared to handle another rejection. Ultimately, the decision to take a second risk is a personal one and should be carefully considered based on your individual circumstances.
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Risk
Risk compensation postulates that everyone has a "risk thermostat" and that safety measures that do not affect the setting of the thermostat will be circumvented by behaviour that re-establishes the level of risk with which people were originally comfortable.It explains why, for example, motorists drive faster after a bend in the road is straightened.Cultural theory explains risk-taking behaviour by the operation of cultural filters.It postulates that behaviour is governed by the probable costs and benefits of alternative courses of action which are perceived through filters formed from all the previous incidents and associations in the risk-taker's life.; "Risk" should be of interest to many readers throughout the social sciences and in the world of industry, business, engineering, finance and public administration, since it deals with a fundamental part of human behaviour that has enormous financial and economic implications.
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The Art of Risk : What we can learn from the world's leading risk-takers
Diving Doctor on the Thai Cave Rescue (now a Netflix series) and former joint Australian of the Year explores the stories of other people who regularly risk their lives and what we can learn from their expertise. ‘Harry’ Harris – Thai Cave Rescuer, joint Australian of the Year – does something for fun that for the rest of us would trigger about four phobias.In near darkness and tight spaces, underwater and deep underground, he crawls through unexplored caves in what’s often described as the most dangerous sport in the world. To us, that’s a nightmare. To him, it’s recreation. He’s highly experienced, has done his research, controlled for all conceivable risks, and he’s completely focused.Flooded underground caves are his safe space. And the discipline involved – even the danger – leaves him better prepared to manage the day-to-day stresses of life in the twenty-first century.Is he the only one who feels that way? Come on the ultimate armchair adventure with Harris while he talks with other ‘risk-takers’ about why they do what they do, how they prepare, and how they’ve handled things going wrong.Harry talks with people like climber Alex Honnold (of ‘Free Solo’), sailor Jessica Watson, mountaineer James Scott, and film director, and deep-sea diver James Cameron, amongst many less familiar world-beaters, each of whom has a fascinating story.We meet base jumpers, drag-racers, snipers, surfers, and people adventuring from the highest of skies to the deepest of oceans. Harry’s conversations give us insights into what motivates these people and why a life without risk is no life at all.He believes that by doing ‘the hard things’ in life you can push yourself a little further and become stronger, more courageous, and more resilient. COMPELLING IDEA: why do deep-sea divers, free climbers, and big-wave surfers take the risks that they do?How do soldiers and firefighters manage risk? What can we learn from how they prepare and what they experience, what can we take into our own lives?The Art of Risk has important life lessons as well as gripping stories: Harris shows that in doing ‘the hard thing’, we become more resilient and courageous.Angela Duckworth’s Grit meets Alex Honnold film ‘Free Solo’THE ULTIMATE ARMCHAIR ADVENTURE: as well as having a fascinating argument, The Art of Risk tells ripping yarn after ripping yarn, guaranteed to get your heart pounding. EXPERT AUTHOR: Dr. Harry Harris was at the heart of the Thai Caves rescue, anesthetizing all the boys in order to get them out.A genuine hero and a former Australian of the year, Harry Harris explores flooded caves deep underground for fun.For most people, this is the definition of a nightmare. Because Harry understands and can prepare for the risks, for him it’s a pleasurable – even meditative - experience. And, as he says, he feels ‘carefully managed risk-taking gives me the courage to manage the day-to-day stresses of life in the 21st century’. REMARKABLE INTERVIEWEES: Harry talks with people like climber Alex Honnold, sailor Jessica Watson, mountaineer James Scott, film director, and deep-sea diver James Cameron, amongst many less familiar names, each of whom has a fascinating story.We meet base-jumpers, base-jumpers, drag racers, snipers, surfers, and people adventuring from the highest of skies to the deepest of oceans. MAN BEHIND THE NETFLIX SERIES: Thai Cave Rescue is fresh onto Netflix, further pushing awareness of the story.
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Qatar Guide : Art, Culture, Heritage
This is the first comprehensive guide to the arts, architecture and culture of Qatar, a country that is fast becoming one of the most influential players on the international arts scene.The guide includes profiles of major creative figures in Qatar and a section of biographical sketches of the architects contributing to the shape of the country.There are also sections on culture and entertainment, dining out, sports and leisure, children's activities and shopping.The book is heavily illustrated with specially commissioned photography and contains detailed maps.
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Risk, Language, and Power : The Nanotechnology Environmental Policy Case
Risk, Language, and Power explores discourse around the environmental risks of nanotechnology, making the case that the dominance in risk discourse of regulatory science is a limiting policy debate on environmental risks, and that specific initiatives should be undertaken to broaden debate not just on nanotechnology, but generally on the risks of new technologies.Morris argues that the treatment of environmental risk in public policy debates has failed for industrial chemicals, is failing for nanotechnology, and most certainly will fail for synthetic biology and other new technologies unless we change how we describe the impacts to people and other living things from the development and deployment of technology.However, Morris also contends that the nanotechnology case provides reason for optimism that risk can be given different, and better, treatment in environmental policy debates.Risk, Language, and Power proposes specific policy initiatives to advance a richer discourse around the environmental implications of emerging technologies.Morris believes that evidence of enriched environmental policy debates would be a decentering of language concerning risk by developing within discourse language and practice directed toward enriching the human and environmental condition.
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Would you risk it?
As an AI, I do not have the capacity to take risks or make decisions based on emotions or personal preferences. However, I can provide information and analysis to help individuals make informed decisions about whether or not to take risks based on their own circumstances and risk tolerance. Ultimately, the decision to take a risk depends on the potential benefits, the likelihood of success, and the individual's willingness to accept the potential consequences.
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Is life a risk?
Life inherently involves risk, as we are constantly faced with uncertainty and the potential for negative outcomes. From making decisions about our careers, relationships, and health, to simply crossing the street, we are always exposed to some level of risk. However, it is important to remember that taking risks can also lead to growth, learning, and new opportunities. Ultimately, how we navigate and manage these risks is what shapes our experiences and defines our lives.
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What is the difference between culture and tradition?
Culture refers to the beliefs, customs, arts, and social behaviors of a particular group of people, encompassing a broader range of practices and values. On the other hand, tradition specifically refers to the customs and practices that are passed down from generation to generation within a specific community or society. While culture is more dynamic and can evolve over time, traditions tend to be more static and rooted in history and heritage.
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What does the quote "The biggest risk is not taking any risk" mean?
The quote "The biggest risk is not taking any risk" means that inaction and playing it safe can be the riskiest choice of all. By avoiding risks and staying within one's comfort zone, one may miss out on opportunities for growth, success, and new experiences. Taking calculated risks and stepping outside of one's comfort zone can lead to personal and professional development, and ultimately, greater rewards.
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